metafora Can Be Fun For Anyone
metafora Can Be Fun For Anyone
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Aristotle discusses the development of metaphors at the end of his Poetics: "But the best matter definitely is to be a learn of metaphor.
Tombstone of a Jewish woman depicting damaged candles, a visible metaphor of the tip of daily life Metaphors can map knowledge involving two nonlinguistic realms. Musicologist Leonard B. Meyer demonstrated how purely rhythmic and harmonic occasions can Categorical human thoughts.
Some cognitive scholars have tried to take on board the concept various languages have progressed radically diverse principles and conceptual metaphors, while some hold to your Sapir-Whorf hypothesis. German philologist Wilhelm von Humboldt contributed significantly to this discussion on the relationship involving culture, language, and linguistic communities.
Blended metaphors is usually pretty humorous; the great Yogi Berra was popular for his “Yogi-isms,” which often contained bewilderingly blended metaphors that still managed to receive his position throughout:
By asserting that the globe is usually a stage, Shakespeare employs details of comparison concerning the entire world in addition to a stage to convey an comprehension with regard to the mechanics of the planet along with the habits with the people today within it.
The Philosophy of Rhetoric (1936) by rhetorician I. A. Richards describes a metaphor as having two parts: the tenor and the auto. The tenor is the topic to which attributes are ascribed. The auto is the item whose attributes are borrowed.
Baroque literary theorist Emanuele Tesauro defines the metaphor "one of the most witty and acute, essentially the most Unusual and great, quite possibly the most pleasurable and beneficial, essentially the most eloquent and fecund Section of the human intellect".
Although metaphors may be considered to be "in" language, Underhill's chapter on French, English and ethnolinguistics demonstrates that language or languages cannot be conceived of in anything other than metaphoric conditions.
Cuando read more oímos a alguien decir: “llegué volando del trabajo”, en realidad lo que se expresa es que esa persona ha llegado presurosamente de su puesto de trabajo.
En los casos de las satisfiedáforas puras, la estructura comparativa se vuelve implícita y queda en los receptores recuperar la traslación efectuada, ya que el autor o la autora no deja marcas de interpretación. Por ejemplo:
The volume of songs made up of ambiguous metaphors and intriguing but obscure symbolism might be prolonged indefinitely. Still, … you will discover hollers, function tracks, field tracks, and blues whose which means is de facto not topic to a substantial amount of interpretation.
Sus ojos eran luceros; los luceros eran esperanzas; las esperanzas, caballos que llevaban el carro de este amor. (Interpreta la mirada de la persona amada como una luz esperanzadora que sirve de guía en el camino de la vida y del amor)
Primerjalna teorija metafore ima svoje korenine prav tako v antiki, pri Aristotelu, Ciceronu in Kvintilijanu. Podobno kot Aristotel je tudi Ciceron zatrdil, da je metafora velik okras govora. Njegov učenec Kvintilijan je o metafori pisal v osmi knjigi svojega obsežnega dela Institutionis oratoriae in bil prav tako prepričan, da metafora zapolnjuje leksikalno praznino ali pa je v funkciji stilnega okrasa. Metaforo je imel za najlepši trop in dar narave, obenem pa je posvaril, da pogosta raba metafor lahko povzroči nejasnost govora, da je potrebno paziti na ustreznost metafor, da morajo delovati naravno in ne smejo biti vulgarne.
Tanto la achievedáfora como el símil pertenecen al grupo de figuras de significación o tropos, que consiste en el uso de palabras en sentido figurado para describir ciertos conceptos.